I wouldn't describe my position as "pro-deaccessioning" any more than you would describe someone who accepts the practice of deaccessioning-to-acquire-more-art as "pro-deaccessioning." The position I've been taking is that the AAMD's black-and-white rule is silly, and that the reasons traditionally given in support of the rule don't stand up to much scrutiny (in part because they fail to explain the disparate treatment of sales to buy more art -- which are considered fine -- and sales to fund other worthwhile things -- which are not).
I hope this clarifies my previous post.
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