Time magazine's Gaelle Faure reports on the University College London's Museum's (UCLM) deaccessioning of parts of its collections (of some 250,000 items in total, only 2% of which are currently on display). What's interesting about this deaccessioning is that the UCLM is giving its public an opportunity to pick which items should be jettisoned. To those wondering why the museum just doesn't keep it all:
To be sure, not everything in a museum's collection is worth keeping, let alone putting on display. [Collections review assistant Subhadra] Das puts it diplomatically: "Sometimes [donors]bring us wonderful things, and sometimes, well, they're not quite for us."
Read more here.
Saturday, November 14, 2009
Public Votes on London Museum's Deaccessioning
Brodsky's Thoughts at Cardozo Law
It's been pretty quiet on the deaccessioning front. However, I just found out that NY Assemblyman Richard Brodsky (author of the anti-deaccessioning Brodsky bill) visited Cardozo Law School, where he gave his thoughts on deaccessioning. Here's a snippet:
It seems wrong for lawmakers to be making largely artistic choices on the behalf of cultural institutions, but Brodsky argues that the Bill would not enable legislative authorities to make such choices. Instead, he insists that the lawmakers are only requiring public disclosure of a clear mission statement. Within that mission, the museums are largely autonomous. If a work is not within the statement, it may be deaccessioned. If the museum wants to alter its statement so that it no longer encompasses certain works, then it must do so publicly. Collections are held in the public trust, Brodsky argues, and they must be maintained for the public benefit. The impetus driving this Bill is the fear that institutions will sell works to keep the doors open, and institutions will be left with open doors and no paintings.
Reading Brodsky's thoughts gives one hope that he's finally realizing the economic severity faced by museums and art institutions, and if the Brodsky bill restricts the use of funds acquired through deaccessioning to only the purchase of new works, museums will face dire financial situations which will force them to lay-off staff in droves, not to mention lower the academic and aesthetic design and implementation of their planned exhibitions.
You can read about his visit and thoughts here.
It seems wrong for lawmakers to be making largely artistic choices on the behalf of cultural institutions, but Brodsky argues that the Bill would not enable legislative authorities to make such choices. Instead, he insists that the lawmakers are only requiring public disclosure of a clear mission statement. Within that mission, the museums are largely autonomous. If a work is not within the statement, it may be deaccessioned. If the museum wants to alter its statement so that it no longer encompasses certain works, then it must do so publicly. Collections are held in the public trust, Brodsky argues, and they must be maintained for the public benefit. The impetus driving this Bill is the fear that institutions will sell works to keep the doors open, and institutions will be left with open doors and no paintings.
Reading Brodsky's thoughts gives one hope that he's finally realizing the economic severity faced by museums and art institutions, and if the Brodsky bill restricts the use of funds acquired through deaccessioning to only the purchase of new works, museums will face dire financial situations which will force them to lay-off staff in droves, not to mention lower the academic and aesthetic design and implementation of their planned exhibitions.
You can read about his visit and thoughts here.
Wednesday, October 21, 2009
Rose Art Museum Trial Dates Set
Mark your calendars. The trial dates for the Rose Art Museum debacle have been set for June 29 and July 1, 2010. Brandeis University's The Justice has more.
St. Lawrence University Art Gallery to Deaccession 177 Artworks
St. Lawrence University's Richard F. Brush Art Gallery is auctioning 177 works valued at upwards of $200,000. The college said it is deaccessioning the art from its catalogue in order to make more room for other works in its 7,000-piece permanent collection. The Watertown Daily News has a little bit more here.
Monday, October 19, 2009
Furloughs and Deaccessioning at the Indianapolis Museum of Art
According to the Chicago Tribune, "nearly 300 staff members at the Indianapolis Museum of Art will have to take an unpaid week off during the coming months in the latest cutback for the museum. Spokeswoman Katie Zarich say the furloughs, along with less spending on contractors, advertising and travel, are needed as the museum makes a 5.5 percent cut from this year's $25.5 million budget." Read the Museum's Budget Reduction Statement here.
The website, Art Knowledge News reports that,
The Indianapolis Museum of Art has embarked on a systematic evaluation of its collection since 2007 to identify candidates for deaccessioning (e.g. sale, transfer, or exchange). All objects proposed for deaccessioning are subject to the criteria and procedures outlined in the IMA's Deaccession Policy. Since 2007, the furniture, antiquities, textiles, American painting, European painting and contemporary collections have been reviewed and assessed. The decorative arts, Asian art and African collections are currently under review with additional works proposed for deaccessioning to be presented for approval at the May and December 2009 Collections Committee and Board of Governors meetings.
The website, Art Knowledge News reports that,
The Indianapolis Museum of Art has embarked on a systematic evaluation of its collection since 2007 to identify candidates for deaccessioning (e.g. sale, transfer, or exchange). All objects proposed for deaccessioning are subject to the criteria and procedures outlined in the IMA's Deaccession Policy. Since 2007, the furniture, antiquities, textiles, American painting, European painting and contemporary collections have been reviewed and assessed. The decorative arts, Asian art and African collections are currently under review with additional works proposed for deaccessioning to be presented for approval at the May and December 2009 Collections Committee and Board of Governors meetings.
Wednesday, October 14, 2009
Brandeis' Motion to Dismiss Not Approved
According to Brandeis University's newspaper, The Justice, Brandeis' "motion to dismiss a lawsuit seeking to preserve the Rose Art Museum's collection was not approved at a hearing that took place" yesterday. Judge Stahlin has allowed the plaintiffs to remain a part of the lawsuit in order to show that "their gifts to the Rose should be returned to them under theories known as equitable reversion and fraud." However, the University would have to contact the Attorney General's Office to give them a minimum of 30 days' notice before selling art. This is a bit odd, but it seems, and this is a conjecture, that Brandeis may be allowed to sell its art collection, just not those art objects previously donated to the university by the plaintiffs in this case.
More from The Justice here.
More from The Justice here.
Saturday, October 10, 2009
Blanden Memorial Art Museum to Proceed with Deaccessioning
After meeting some internal board requirements and federal requests, the Blanden Memorial Art Museum will continue with its planned deaccessioning.
Dr. Matt Maggio, vice president of the museum's board, said leaders of the city-owned art gallery have talked about having such a sale for 10 years. He added that the auction has been actively planned for three years and four months.
After voting to bar themselves and family members from buying any art at auction, the board also removed eight pieces from auction.
The withdrawal of those pieces came after the U.S. General Services Administration contacted City Manager David Fierke on Thursday and asked the museum to refrain from selling any Depression-era artwork commissioned by the government. That agency requested that any such unwanted works be sent to the federal government.
More from Fort Dodge, Iowa's Messenger.
Dr. Matt Maggio, vice president of the museum's board, said leaders of the city-owned art gallery have talked about having such a sale for 10 years. He added that the auction has been actively planned for three years and four months.
After voting to bar themselves and family members from buying any art at auction, the board also removed eight pieces from auction.
The withdrawal of those pieces came after the U.S. General Services Administration contacted City Manager David Fierke on Thursday and asked the museum to refrain from selling any Depression-era artwork commissioned by the government. That agency requested that any such unwanted works be sent to the federal government.
More from Fort Dodge, Iowa's Messenger.
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